Newtek - Tricaster 460

Categoría: Nuevo Publicado el 11 Octubre 2013
Escrito por Super User Visto: 2745

Características

 

Switcher Multicamara de 4 entradas SDI, componentes, compuesto

4 simultaneous live video sources, in any combination of supported connection types, resolutions and frame rates (including PsF selections)

Direct input of cameras and video devices in any combination of HD-SDI, HD Component, SD-SDI, SD Component, Y/C or Composite connections

Per-input format configuration, scaler (including 3:2 intelligent pull-down) and frame synchronizer enabling intermixing of formats

Per-input color correction, crop and LiveMatte keyer controls

Support for Key + Fill input pairing

 

Multi-Camera Switching Mix/Effects Banks (4)

Expand creative possibilities for your production. In Mix mode, M/Es can use program/preview transitions and overlay to create full-featured sub-mixes. In Effect mode, create multiple video layers for real-time compositing, or transform your green screen setup into an elaborate virtual set.

 

Turnkey Production

Based on the innovative concept of a single system to broadcast, project stream, and record simultaneously, TriCaster 460’s multiple turnkey functions do the work usually requiring racks of equipment, but integrated into a small, van-friendly footprint instead. Just one system replaces gear for recording, encoding, switching, submixing, playback, audio mixing, DVE, advanced graphics and titling, animation store, scan conversion, multiple channels of virtual sets, live streaming, camera automation, scopes and monitors, and social media publishing.

 

Scaled for Mobility

Professional-grade gear in a compact size. Industry-standard analog and digital connectivity, along with swift setup and teardown for in-and-out coverage, make the most of just 2U of rack space in a production vehicle or other space, and help you gain a freedom of movement that's just not possible with racks of individual components pieced together. Available with or without a compact counter-sunk or countertop control surface that goes anywhere.

 

Mix-and-Match I/O

TriCaster 460 provides connectivity to prepare for any location scenario. Connect multiple cameras with the capability to mix and match connection types, including SDI, component, composite and Y/C; and even camera types with varying SD and HD resolutions and formats. Equally flexible outputs can send a variety of feeds to multiple destinations and displays—even send a signal to another TriCaster over the network with a network output.

 

4-channel ISO Source Recording

NewTek’s seriously forward-thinking IsoCorder™ technology combines the capabilities of racks and racks of video capture equipment, providing multi-track, multi-format recording of up to four simultaneous channels. Record any combination of your finished show, a clean feed, raw source captures from any camera, or more, at full resolution—directly from the user interface.

 

15-channel Multi-camera Production

Connectivity for 4 camera sources. Color correction, keying, cropping, scaling, and frame sync on every input. Video playback from 2 DDRs—not just short clips with an overly restrictive frame count: we’re talking full-length packages and whatever else you need. Digital media from 2 built-in graphic and sound slots. 2 network sources for sharing computer displays, wireless iOS devices, or any over-the-network source. And 4 M/E banks to stage live virtual sets, create real-time compositions and presets, and submixes that can act as upstream switchers (or secondary programs out).

 

Expanded Media Sources: Buffers and Network Inputs

Providing greater built-in source variety than any other 15-channel system is just the start. TriCaster 460 gives producers instant access to even more content in real time, without adding equipment or crew. 10 still buffers and 5 animation buffers provide 15 bonus “always on” sources. And enhanced network inputs support cloud video, streaming servers, remote cameras, remotely hosted clips, USB cameras and more, dramatically expanding content and programming possibilities without taking up a hardware input.

 

Audio Mixing

The TriCaster integrated multi-channel audio mixer is loaded with enhancements that raise the caliber of your shows’ sound to the same professional, network quality as the visuals. Unprecedented routing, customization, control and flexibility—and further opportunities for sound configuration and delivery like simulcast audio, multi-language presentation, and mix-minus applications (such as Skype calls and phoners)—without the investment in scores of external hardware. If live control by an audio operator is what you want, you get full support for mixing from our iPad remote mixer app, the Avid® Artist Mix control surface, and other third-party audio control interfaces.

 

Visual & Motion Effects

TriCaster 460 has the most powerful integrated effects engine available in live production. From full-color, animated transitions with alpha channel and embedded audio, to real-time cloth dynamics, 3D video warping, and transformations with TransWarp effects and motion overlays; all the way to your own custom, branded effects using the included Animation Store Creator application, and real-time, multi-layered compositions with 4 M/E rows and motion effects. TriCaster 460 lets nothing stand in the way of getting the look you want or the professional presentation your organization demands.

 

Automation

Automation functions in TriCaster 460 help you experiment with more complex sequences but leave nothing to chance during a live production. Reduce on-air mistakes with macros—streamline real-time shot sequences that make the show look more sophisticated, but are too complicated to execute live and risk costly errors. Unlimited external control functions with MIDI sequencing enables show control of nearly any command, or offloading tasks to additional crew. With hotspots, talent can trigger automated sequences requiring extraordinary timing with on-camera gestures, effectively controlling a segment without an operator. And add remotely controlled robotic cameras as input sources, without the need to add camera operators.

 

Virtual Sets

Even if your "set" is really a multi-purpose room or the corner of a studio, your viewers will not only see your professional brand shine through—they’ll see any world you want to create, without the high cost or heavy construction. With TriCaster 460 system's virtual sets, you can elevate your look with realistic foregrounds and live moving backgrounds. Not just high-end studio looks either: take a panoramic of any location with your smart phone, or a 3D model from any universe you create, and make it your scene using our holographic LiveSet capability, bringing augmented reality that much closer to live. Add real-time energy to any virtual set with two live sources—each with overlay, all with transitions, sounds, 3D DVEs and effects. Live camera moves and shot changes during production bring your new location to life.

 

Social Media Publishing

With a brief setup beforehand and the real-time grab of a shot, generate second-screen content for sites like YouTube, Facebook and Twitter during the live show, and extend your brand to online and second-screen platforms—or share assets to common storage locations for instant access by others. Hey, set it all up with a macro and just push a button, and you’ve increased your program exposure without adding equipment, personnel, or lag time.

 

Post-production

TriCaster 460 provides extensive workflow interoperation for postproduction: 4-channel ISO recording enables the capture of all the raw sources coming into the program, for later repurposing or re-use. Expanded media format support (like native QuickTime®-encoded files embedded with timecode and four audio tracks) eliminates conversion for production or editing, speeds up post- production workflows, and enables wider integration of Mac or PC based files. Our codecs for Mac and PC let you encode media assets, optimized for real time.

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Equipo de Video

Cámaras de Video
Panasonic
AVCCAM
New AG-AC8
AG-HMC40P
AG-HMC80P
AG-AC90P
AG-AF100P
AG-AC130P
AG-AC160AP
AG-3DA1P
AG-HCK10G
AG-HMR10P
P2 HD
AG-HPX250P
AG-HPX255P
New AJ-PX270
AG-HPX370P
AG-HPX600P
AG-HPX600BP
AJ-HPX2000
AJ-HPX2700G
AJ-HPX3100G
AJ-HPX3700G
New AJ-PX5000G
AG-3DP1G
Robóticas
AW-HE60
AW-HE120
AW-HE870
AW-HE2P
AW-RP50
AW-RP120
Canon
Profesionales
XA10
XA20
XA25
XF100
XF105
XF300
XF305
Cinema EOS
EOS C100
EOS 1D C
EOS C300
EOS C300 PL
EOS C500
EOS C500 PL
Vixia
HF G30
JVC
Cámaras de Mano
GY-HM650E
GY-HM600E
GY-HM150E
GY-HMQ10E
Cámaras de Hombro
GY-HM70E
GY-HM750E
GY-HM790CHE
GY-HM790E
GY-HM700E
Blackmagic
Pocket Cinema Camera
Cinema Camera
Production Camera 4K
Sony
AVCHD
HXR-NX30N
NEX-EA50
HXR-MC2000
HXR-NX3D1
NEX-FS100N
NFX-FS700NK
HXR-NX70E
HXR-NX5N
XDCAM EX
PMW-F55
PMW-F5
PMW-100
PMW-500
PMW-F3
PMW-EX3
PMW-320
PMW-350X
XDCAM HD
PMW-200
PMW-100
PDW-F800
PDW-700
Cine Digital
PMW-F55
PMW-F5
NEX-FS700NK
PMW-F3
F65
HD Estudio
HXC-D70K
HDC-P1
HXC-100K
HSC-300K
HDC-1500R
HDC-1550R
HDC-1450R
HDC-1400R
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Panasonic
DMC-GH3
Canon
EOS
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EOS Rebel T4i
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EOS 60D
EOS 70D
EOS 7D
EOS 6D
EOS 5D MARK III
EOS 1DX
EOS M
Powershot
ELPH 115 IS
ELPH 130 IS
N
D20
SX170 IS
SX280 HS
SX510 IS
SX50 HS
G16
G1X
Grabadores de Video
Panasonic
Tarjetas P2
Tarjetas SD y adaptador para lectores P2
AJ-MPD1G
AJ-PCD2G
AJ-PCD30
AJ-PCD35
AG-HPD24
AJ-HPM200
AJ-HPD2500
AG-MSU10
Blackmagic
Hyperdeck Shuttle 2
Hyperdeck Studio
Hyperdeck Studio Pro
JVC
SRHD1250
SRHD1500
SRHD2500
Sony
PDW-U2
PDW-HR1
PDW-F1600
SRW-5800
Switchers
Newtek
Tricasters
TriCaster 8000
TriCaster 860
Tricaster 460
Tricaster 410
TriCaster 40
3Play
3Play 4800
3Play 425
Teclados de Control
TriCaster 8000 Control Surface
TriCaster 860 Control Surface
TriCaster 460 Control Surface
TriCaster 40 Control Surface
TriCaster LC - 11 Control Surface
TriCaster 850 - TW Control Surface
Datavideo
SD/HD y Análogos
MS-3000US
SE-3000
SE-900
SE-2800 y Studio Kit
SE-600 y Studio Kit
SE-2000 y Studio Kit
SE-500 y Studio Kit
Estudios Móviles
HS-2800
MS-2800
HS-2000 / 2000L
MS-900
HS-600
HS-500
Blackmagic
ATEM 1 Broadcast Panel
ATEM 2 Broadcast Panel
ATEM 1 Production Switcher
ATEM 2 Production Switcher
ATEM Television Studio
GPI and Tally Interface
Sony
MVS-3000A
AWS-750 Anycast
MCS-8M
Panasonic
AW-HS50
AG-HMX100
AV-HS410
AV-HS450
Edirol
Multiformato HD
V - 1600HD
V - 800HD
V - 40HD
V - 44SW
All-in-One VR Series
VR - 50HD
VR - 5
VR - 3
SD y Análogos Multiformato
V - 440HD
LVS - 800
V - 8
V - 4EX
V - 4
Monitores
Panasonic
BT-LH910G
BT-LH1710P
BT-LH1760P
BT-LH1850p
BT-LH2170P
BT-LH2550P
BT-3DL2550P
New BT-4LH310
Marshall
LCD Rack
1 Pantalla
2 Pantallas
3 Pantallas
V-R43P
V-MD503
V-MD503-3GSDI
OR-503
V-MD563
V-R573P
V-R573P-SDI
V-R653P-HDSDI
V-R653-IMD-3GTE
V-R653SB-IMD
4 Pantallas
V-R44P
V-MD434
V-MD434-3GSDI
OR-434
10 pantallas
V-R35P
V-R35P-SDI
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Wireles
Ikan
Campo
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Rack
JVC
DT-V9L5
DT-F9L5U
DT-E17L4
DT-V17G1Z
DT-E21L4U
DT-V21G11Z
DT-R24L41DU
Datavideo
Rack
Escritorio
Multiviewers
Roland
Sierravideo
Marshall
Video Inalámbrico
Ikan
IDX
Trango
Antonbauer
Distribución de Video
Kramer
Distribuidores Amplificadores
Selectores Marticiales
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Escaladores
Sierravideo
Matrices Fijas No Modulares
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Páneles de Control
Blackmagic
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Convertidores de Señal
Enrutamiento y Distribución
Vectoroscopios
Harris
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Antenas

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